Pics After The Jump
Kid Cudi is gearing up for the release of his third studio album titled Indicud in March of this year. Complex has given him the cover of their upcoming February/March issue, which goes on sale February 4.
The 28-year old G.O.O.D. Music artist sits down with Complex's director of content strategy Joe La Puma for the issue's cover story. Check out an excerpt from it below.
When you were working on “Efflictim” for the WZRD EP, you said you would wake up in a terrible mood. Are you having fewer of those days now?
Hell yeah. Every day is an adventure. [Laughs.] My last relationship took a lot out of me. I needed to reboot and rebuild my life. I’m in a positive place now, a happier place. I’m enlightened. It’s better when you get older because you start to see things from a different perspective. Whether it’s love, or just trying to figure out what you’re going to do in life.
Are you enjoying being single?
I enjoy living my life for me and not by someone else’s rules. It gets lonely but the loneliness doesn’t bother me. I have time to think, time to write, time to myself. I’m winging it every day. I hope love finds me. I always hope for that. But now I’m super happy. I got my party shoes on every night.
Last time we spoke was in March. What’s been going on since then?
It’s been crazy for me. I took a trip on antidepressant lane for a little bit. After the WZRD song “Dr. Pill” everyone thought I was talking about molly or ecstasy. But I’m talking about prescription meds. I had just gotten a shrink. I was having an emotional breakdown with this breakup. I kept trying different pills for five months. It f*cked me up.
You addressed that on “Just What I Am.”
They weren’t working. It was every side effect on the bottle. I couldn’t f*ck. My body didn’t work. It was not good. I said, “Something’s wrong with me. What the f*ck? Why do I feel like I want to punch an elephant?” [Laughs.] “Why am I so irritable?” I finally got off the pills and then I started feeling normal. My brain went back to where it needed to be. I was able to analyze things and get my sh*t together.
What about therapy? Was that helping you?
A year ago I wouldn’t even go to a therapist or psychiatrist. But I gave it a shot. It’s working for me but it’s not for everyone. I’ve got some f*cking problems. [Laughs.] It’s good for me to talk to someone who helps me see things. I had no other choice.
I was like, “Damn, I have to take a pill in order to be OK?” It bothered me. That was a real good moment after I got off the pills. I started to feel like myself again. I was happy and sh*t. I don’t need anything to make me feel good. I just need to get my mind in check and stop trippin’ on bullsh*t. I need to stop letting motherf*ckers break me down, and make me feel like sh*t. I got to be a little stronger for myself and for my family and my fans. I can’t be out here like some simp, letting something beat me down and make me feel like a peon. It was about reclaiming who I am. It’s like “All right, let’s go. It’s time. F*ck everyone.” [Laughs.]
Anyone that’s ever said anything negative, anyone that’s ever doubted me. I was a nice guy early in my career, and people in the business still found a way to call me a d***. Now I’m just like, whatever man. F*** it. I’m trying to be nice to you cocksuckers and you don’t even deserve all that. It’s war. People don’t know what cool is.
So, what’s cool?
It’s not hard to grasp. Cool is just being f****** authentic. Being yourself, being straight up. Legit—and have some type of f*cking taste.
You called yourself the “Bane of Hip-Hop” and “Hip-Hop’s Villain: Leader of the Delinquents.” What makes these roles so enjoyable for you?
There are so many dynamics to a villain. Who are we to say they’re villains? They’re just people who see things in a different way and go to the extreme to show us how things should be. Hip-hop needs a wake-up call. I don’t think hip-hop is terrible, or it’s dead and all that b*******. It’s better than it’s been in a long time. It’s just some industry sh*t. It’s super weak. Nobody’s authentic.
That’s good for me because when I do my sh*t, it makes me look like the greatest musician alive—and I’m not. I’m just doing what we should all be doing. I’m using the same drums everyone else uses, same synths, sometimes the same samples. I see things in my own way and execute them that way. Nobody really does that. People ask, “What’s going to sell? What’s going to do this or what’s going to do that?” It’s weak. Most people are p*ssies.
To read the rest of the interview head over to Complex.